{"id":4086,"date":"2020-06-19T18:07:43","date_gmt":"2020-06-19T16:07:43","guid":{"rendered":"http:\/\/www.cinema-contis.fr\/site_festival\/?page_id=4086"},"modified":"2020-07-04T15:20:37","modified_gmt":"2020-07-04T13:20:37","slug":"table-ronde-vr","status":"publish","type":"page","link":"https:\/\/www.cinema-contis.fr\/site_festival\/table-ronde-vr\/","title":{"rendered":"Table Ronde \u00ab\u00a0LA R\u00c9ALIT\u00c9 VIRTUELLE : AU-DEL\u00c0 DU CIN\u00c9MA ?\u00a0\u00bb"},"content":{"rendered":"\n<div align=\"center\"><iframe loading=\"lazy\" width=\"711\" height=\"400\" src=\"https:\/\/www.youtube.com\/embed\/l5D0FDaM_8M?rel=0\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"><\/iframe><\/div>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<p><span style=\"color: #000000;\">Accueillir des \u0153uvres en VR au sein d\u2019un festival de cin\u00e9ma semble les inscrire d\u2019embl\u00e9e dans le champ cin\u00e9matographique, ou du moins nous inciter \u00e0 les appr\u00e9hender dans cette perspective. Pourtant les formes induites a priori par les technologies dites \u00ab immersives \u00bb (r\u00e9alit\u00e9 virtuelle, augment\u00e9e et mixte, r\u00e9unies d\u00e9sormais sous le sigle X.R \u2013 pour eXtended Reality) remettent en cause la plupart des \u00e9l\u00e9ments constitutifs d\u2019un film (sc\u00e9nario, d\u00e9coupage, cadrage, point de vue, montage, etc.), mais aussi ses modalit\u00e9s de r\u00e9ception (exp\u00e9rience collective \u00ab passive \u00bb dans une salle). Pour proposer des formes esth\u00e9tiques riches, ne faut-il pas alors repenser en des termes nouveaux, l\u2019\u00e9criture, la mise en sc\u00e8ne, le jeu d\u2019acteurs, le montage, la composition des images et des sons, mais aussi l\u2019exp\u00e9rience spectatorielle, en allant voir du c\u00f4t\u00e9 des arts num\u00e9riques, du th\u00e9\u00e2tre, de la performance, de la danse, voire m\u00eame du proto-cin\u00e9ma ? <\/span><br><span style=\"color: #000000;\">Nous proposons dans cette table-ronde de confronter les points de vue de personnalit\u00e9s provenant d\u2019horizons diff\u00e9rents pour exposer les multiples enjeux que pose la r\u00e9alit\u00e9 virtuelle en tant que m\u00e9dium artistique.<\/span><\/p>\n<p><span style=\"color: #000000;\"><strong><span style=\"text-decoration: underline;\">Mod\u00e9ration<\/span><\/strong><\/span><br><span style=\"color: #000000;\"><strong>Claire Chatelet<\/strong>, Ma\u00eetre de conf\u00e9rences en audiovisuel et nouveaux m\u00e9dias \u00e0 l&rsquo;Universit\u00e9 Paul-Val\u00e9ry Montpellier 3<\/span><\/p>\n<p><span style=\"text-decoration: underline; color: #000000;\"><strong>Intervenants<\/strong><\/span><br><span style=\"color: #000000;\"><strong>Gwena\u00eblle Clauwaert<\/strong>,&nbsp;productrice \u00e0 TEN2TEN FILMS<\/span><br><span style=\"color: #000000;\"><strong>J\u00e9r\u00e9my Pouilloux<\/strong>, producteur \u00e0 LA G\u00c9N\u00c9RALE DE PRODUCTION et directeur artistique du festival NEW IMAGES<\/span><br><span style=\"color: #000000;\"><strong>Adelin Schweitzer<\/strong>,&nbsp;artiste transm\u00e9dia, producteur et membre du collectif DELETERE<\/span><br><span style=\"color: #000000;\"><strong>Pina Wood<\/strong>,&nbsp;dramaturge<\/span><\/p>\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<p><strong><span style=\"text-decoration: underline; color: #000000;\">Pour compl\u00e9ter la discussion&nbsp;:<\/span><\/strong><\/p>\n<p><span style=\"color: #000000;\"><strong>Accused #2 Walter Sisulu<\/strong> de Nicolas Champeaux et Gilles Porte<\/span><br><span style=\"color: #000000;\">Production&nbsp;: La g\u00e9n\u00e9rale de production<\/span><br><span style=\"color: #000000;\">Est disponible sur : <span style=\"text-decoration: underline;\"><a style=\"color: #000000; text-decoration: underline;\" href=\"https:\/\/www.arte.tv\/sites\/webproductions\/accused2\/\" target=\"_blank\" rel=\"noopener noreferrer\">https:\/\/www.arte.tv\/sites\/webproductions\/accused2\/<\/a><\/span><\/span><\/p>\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<p><span style=\"color: #000000;\">Les teasers des projets \u00e9voqu\u00e9s pendant la table ronde&nbsp;:<\/span><\/p>\n<p style=\"text-align: center;\"><span style=\"color: #000000;\"><strong>A-Reality<\/strong> de Adelin Schweitzer<\/span><br><span style=\"color: #000000;\">Production Deletere<\/span><\/p>\n\n\n<div align=\"center\"><iframe loading=\"lazy\" width=\"622\" height=\"350\" src=\"https:\/\/www.youtube.com\/embed\/Q5jXQ0hZ8N4?rel=0\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"><\/iframe><\/div>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<p style=\"text-align: center;\"><span style=\"color: #000000;\"><strong>#ALPHALOOP<\/strong> de Adelin Schweitzer<\/span><br><span style=\"color: #000000;\">une coproduction Deletere \/ Crossed Lab<\/span><\/p>\n\n\n<div align=\"center\"><iframe loading=\"lazy\" src=\"https:\/\/player.vimeo.com\/video\/378132595?rel=0\" width=\"622\" height=\"350\" frameborder=\"0\" allow=\"autoplay; fullscreen\" allowfullscreen=\"\"><\/iframe><\/div>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<p style=\"text-align: center;\"><span style=\"color: #000000;\"><strong>FrenchKiss<\/strong> par le collectif SoVr<\/span><br><span style=\"color: #000000;\">produit par 2Moro Productions, Ten2Ten Films et Nexus Forward<\/span><\/p>\n\n\n<div align=\"center\"><iframe loading=\"lazy\" width=\"622\" height=\"350\" src=\"https:\/\/www.youtube.com\/embed\/FT6aSPf3UyA?rel=0\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"><\/iframe><\/div>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Accueillir des \u0153uvres en VR au sein d\u2019un festival de cin\u00e9ma semble les inscrire d\u2019embl\u00e9e dans le champ cin\u00e9matographique, ou du moins nous inciter \u00e0 les appr\u00e9hender dans cette perspective. Pourtant les formes induites a priori par les technologies dites \u00ab immersives \u00bb (r\u00e9alit\u00e9 virtuelle, augment\u00e9e et mixte, r\u00e9unies d\u00e9sormais sous le sigle X.R \u2013 [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"_links":{"self":[{"href":"https:\/\/www.cinema-contis.fr\/site_festival\/wp-json\/wp\/v2\/pages\/4086"}],"collection":[{"href":"https:\/\/www.cinema-contis.fr\/site_festival\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.cinema-contis.fr\/site_festival\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.cinema-contis.fr\/site_festival\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.cinema-contis.fr\/site_festival\/wp-json\/wp\/v2\/comments?post=4086"}],"version-history":[{"count":19,"href":"https:\/\/www.cinema-contis.fr\/site_festival\/wp-json\/wp\/v2\/pages\/4086\/revisions"}],"predecessor-version":[{"id":5096,"href":"https:\/\/www.cinema-contis.fr\/site_festival\/wp-json\/wp\/v2\/pages\/4086\/revisions\/5096"}],"wp:attachment":[{"href":"https:\/\/www.cinema-contis.fr\/site_festival\/wp-json\/wp\/v2\/media?parent=4086"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}